Julia Sumzina
Rezo (2024): the development of an artist in the conditions of a totalitarian regime
Working as a film journalist and observer in 2018 I had a chance to attend a very interesting film premiere in Saint-Petersburg. Leo...
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Julia Sumzina
- Jan 7
From the abstractionism in poetic genre to the political surrealism in the Soviet National Cinema
In the second article of my series I'd like to look at two films of Soviet National Cinema: The Color of Pomegranates (1969) by Sergei...
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Julia Sumzina
- Jan 1
Aelita (1924): the Soviet cinema on the edge of epochs and styles
I have analysed many films as a journalist but this article I wrote for my studies in Åbo Akademi University, there was a course...
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Julia Sumzina
- Oct 27, 2023
Alice's Adventures in Munich
This season in Munich for the worldwide ballet spectators started with the Alice's Adventures in Wonderland ballet’s live stream. This...
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Julia Sumzina
- Aug 7, 2023
Молодость и музыкальный романтизм
В этом году фестиваль Pianissimo, собирающий молодых пианистов из разных стран, продолжает свое шествие в трех городах: Санкт-Петербурге,...
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Julia Sumzina
- Jun 28, 2023
Maurice Béjart Program in Paris
This spring Paris Opera Ballet gave the audience an opportunity to see the golden cast of the dancers in the astonishing pieces by...
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la notte
- Jun 23, 2023
La Bayadère in Munich
Sabine Proll tells us about La Bayadère spectacular performance in Munich: On June 16, 2023, Bayerisches Staatsballett Munich performed...
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la notte
- Jun 14, 2023
Staatsballett Berlin encounters Stravinsky
Our correspondent Sabine Proll shares her impressions after attending the Stravinsky Ballet evening: Staatsballett Berlin’s designated...
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Julia Sumzina
- Apr 5, 2023
NUREYEV \ PARIS: Part I
Rudolf Nureyev is undoubtedly an iconic name for ballet around the world. This year he would be 85 and I’d like to make a little homage...
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Julia Sumzina
- Mar 26, 2023
La Fille du Pharaon: Mariinsky follows Petipa
RUS: Дочь Фараона: Мариинский следует за Петипа Конец марта в Мариинском театре ознаменовался премьерой. «Дочь Фараона» в редакции Тони...
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la notte
- Mar 18, 2023
Berlinale 2023: a few films to pay attention to
Our correspondent Anastasia Sviridova attended the Berlinale 2023 and shares us her little digest about the films she highlighted in...
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Julia Sumzina
- Mar 12, 2023
«По правилам и без»: очень французская комедия Луи Гарреля
Французское кино, как много в этом звуке! Особенно для опытных киноманов, следящих за фестивальными новинками и пересматривающих фильмы...
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Julia Sumzina
- Feb 20, 2023
Even Capitaine: young and promising dancer of Mariinsky
This winter the ballet audience in St. Petersburg is welcoming Even Capitaine, who debuted on Mariinsky stage as guest soloist last...
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Julia Sumzina
- Dec 4, 2022
Гала-концерт к 70-летию со Дня рождения Александра Степина
Александру Александровичу Степину — выдающемуся танцовщику, легендарному педагогу актерского мастерства, работавшему с артистами балета и...
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Julia Sumzina
- Nov 30, 2022
Cinderella by Christopher Wheeldon in Munich
In November the audience around the world had the opportunity to watch the beautiful version of Prokofiev’s Cinderella choreographed by...
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la notte
- Nov 15, 2022
Bayerisches Staatsballett: Romeo and Juliet by John Cranko
Sabine has attended the Romeo and Juliet in Munich and shares her impressions: Recently I’ve had a pleasure to see John Cranko's "Romeo...
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la notte
- Oct 21, 2022
La Biennale: Bones and All (2022) by Luca Guadagnino
We're continuing to publish the reviews by Anastasia Sviridova, who gets us known with the films presented to the audience during the...
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la notte
- Sep 20, 2022
La Biennale 2022: White Noise (2022) by Noah Baumbach
Our correspondent Anastasia Sviridova starts her series of film reviews after La Biennale 2022... Noah Baumbach's "White Noise", an...
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la notte
- Aug 26, 2022
LACUNA by Juliano Nunes at Origen Festival Cultural
Christine Müller-Welt attended the Origen Festival Cultural to see the latest production by Juliano Nunes, she shares her impressions...
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la notte
- Jul 29, 2022
Elvis (2022) by Baz Luhrmann, the loudest premiere at Cannes Film Festival
The last Anastasia Sviridova's review from Cannes Film Festival 2022 is about 'Elvis' by one and only Baz Luhrmann, also today the new...
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