Julia Sumzina
Гала-концерт к 70-летию со Дня рождения Александра Степина
Александру Александровичу Степину — выдающемуся танцовщику, легендарному педагогу актерского мастерства, работавшему с артистами балета и...
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Julia Sumzina
- Nov 30, 2022
Cinderella by Christopher Wheeldon in Munich
In November the audience around the world had the opportunity to watch the beautiful version of Prokofiev’s Cinderella choreographed by...
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la notte
- Nov 15, 2022
Bayerisches Staatsballett: Romeo and Juliet by John Cranko
Sabine has attended the Romeo and Juliet in Munich and shares her impressions: Recently I’ve had a pleasure to see John Cranko's "Romeo...
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la notte
- Oct 21, 2022
La Biennale: Bones and All (2022) by Luca Guadagnino
We're continuing to publish the reviews by Anastasia Sviridova, who gets us known with the films presented to the audience during the...
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la notte
- Sep 20, 2022
La Biennale 2022: White Noise (2022) by Noah Baumbach
Our correspondent Anastasia Sviridova starts her series of film reviews after La Biennale 2022... Noah Baumbach's "White Noise", an...
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la notte
- Aug 26, 2022
LACUNA by Juliano Nunes at Origen Festival Cultural
Christine Müller-Welt attended the Origen Festival Cultural to see the latest production by Juliano Nunes, she shares her impressions...
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la notte
- Jul 29, 2022
Elvis (2022) by Baz Luhrmann, the loudest premiere at Cannes Film Festival
The last Anastasia Sviridova's review from Cannes Film Festival 2022 is about 'Elvis' by one and only Baz Luhrmann, also today the new...
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la notte
- Jul 29, 2022
Cannes 2022: Crimes of the Future by David Cronenberg
Anastasia Sviridova continues to share her Cannes 2022 impressions... On the closing day of the festival, we watched several films from...
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Julia Sumzina
- Jul 21, 2022
Cinderella in the Mikhailovsky Theatre
On 16 July, the husband-and-wife principal couple of Anastasia Soboleva and Viktor Lebedev, along with Ekaterina Borchenko and the...
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la notte
- Jul 18, 2022
СИДИ И СМОТРИ: "ЧЕРНЫЙ МОНАХ" КИРИЛЛА СЕРЕБРЕННИКОВА
Сергей Хачатуров делится впечатлениями от "Черного Монаха" Кирилла Серебренникова, представленного на Авиньонском фестивале и доступного...
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la notte
- Jul 9, 2022
Cannes 2022: More Than Ever. In the memory of Gaspard Ulliel
We're continuing to publish the impressions from Cannes 2022 Anastasia Sviridova shares the public... "More Than Ever" (Plus Que Jamais)...
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la notte
- Jul 8, 2022
Гоголь-центр. Память: Маленькие трагедии
Мы завершаем триптих архивных рецензий Ольги Григорьевой на спектакли "Гоголь-центра" постановкой Кирилла Серебренникова "Маленькие...
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la notte
- Jul 6, 2022
Гоголь-центр. Память: Кузмин. Форель разбивает лёд
Мы продолжаем публиковать архивные рецензии Ольги Григорьевой на спектакли "Гоголь-центра" и сегодня мы вспомним постановку Владислава...
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la notte
- Jul 1, 2022
Гоголь-центр. Память: (М)ученик
30 июня 2022 года состоялся последний спектакль одного из самых успешных театров России. Гоголь-центра больше нет. Но в памяти зрителей...
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la notte
- Jun 26, 2022
Triangle of Sadness (2022): the Palme d'Or at Cannes
Anastasia Sviridova shares her impressions from the Cannes Film Festival programme of this year: ENG: When I left the hall after this...
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Julia Sumzina
- Jun 14, 2022
Australian Ballet: Kunstkamer
On 10 June, the audience around the world had a chance to see the Kunstkamer by Australian ballet. The program, symbolizing the...
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la notte
- Jun 9, 2022
Close (2022) by Lukas Dhont: the most touching premiere of Cannes 2022
Anastasia Sviridova, our special correspondent at the Cannes Film Festival 2022, writes about the new film by Lukas Dhont. ENG: “I...
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Nereid
- Jun 6, 2022
Another Place: Farewell Performance of Stéphane Bullion
The contemporary dance presents, on the other hand, a different vision of the masculine, the feminine and the inner self; also, the duo...
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la notte
- Jun 4, 2022
Cannes 2022: Tchaikovsky's Wife by Kirill Serebrennikov
Anastasia Sviridova attended the 75th Cannes Film Festival and we're starting to share her impressions. ENG: Kirill Serebrennikov's new...
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Julia Sumzina
- May 4, 2022
The way from realism to modernism in Ukrainian art. Part I
The second half of the XIX - early XX centuries period was characterised by a huge rise of various styles and ideas in European fine...
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